#well I can explain I was thinking about how so many characters

[utilitycaster]

#reblogging for the “see: girlfailure” tag#caus I have opinions on the insular fandom memeification of characters but I don't - as this post highlights - have the words for it#but I keep those to dms caus anytime I or a friend has challenged it in a public space it gets shot down#it reeks of my troubles with the general fear of using the word woman these days and how it's girldinner this girlmath that#also what do you call as intentional character traits vs a flopped dice roll

(via @distant--shadow)

so I agree and this is interesting to me because what always frustrated me about "girlfailure" outside the more general issue of "um, coquette/bimbo/girl dinner/uwu soft divine feminine cottagecore domesticity don't you mean u want to braid her hair is actually TRUER feminism than being the surly woman who loves math and sword fights and hates sewing" and the fact that, as you said, it mostly came from bungled dice rolls and no real intent, is that the same people who call her a girlfailure insist that Imogen is the main character. And like, she kind of is! And yet - and I've said this about Imogen and Laudna in the context of their relationship but I'm going to not include that because I actually don't think that's even relevant, it's about them as individual characters as well - people want them to simultaneously be The Main Character or at least heavily in focus and also never, ever have any agency. Like, they want "capable" to mean that everyone likes you, and not that you are a person who makes hard choices for the better.

Maybe it's because I'm playing Baby's First RPG right now, but the deal with RPGs and I think(?) especially this one, is you must make every choice and it is laden with consequences (not that I as a D&D player, or, you know, a human woman, am unfamiliar with that already) but what drives me nuts about the just a silly guy! girlfailure! she chooses to be good and therefore is good narrative for Imogen, and the "stripped of choice" (another highly repeated turn of phrase) for both her and Laudna is that it's untrue and it means nothing. For all my criticism of What Doesn't Break, Laudna makes choices. I frequently dislike them and wish they had more gravity, but she does make them. She doesn't make every choice - notably, her death and Delilah's presence are huge things that happen to her without her input - but even while barely herself she frequently brushes off Delilah. You can imagine the dialogue trees and the paths she takes, to intervene or not. She decides to renew her pact; she decides to run into the desert. Imogen decides to attack the villagers with lightning to defend Laudna. She decides to leave, she decides to keep burning their rivals in the Twilight Mirror Museum, she decides to tell her mother that she won't join her, she decides not to help assassinate her mother.

Fearne has a wonderful line when she's talking with Chetney after shardgate, in which she explains that she's terrified of making bad choices. Not of being a bad person, but of making the bad choices. And that's the thing. You cannot choose to be good. You cannot choose to be bad. At least not in any general sense. You can, however, make choices that harm people or help them. You constantly must do this. You can stray, or change the type of choices you've made, but they do accumulate to a point, eventually, where it becomes harder and harder to stray. However, the premise of D&D is very much that your character hasn't become locked in, yet. Is Imogen making choices that will be better for other people? If the world rests on her shoulders, is she making better choices for the world?

This is perhaps the core theme of this campaign, dating as far back as Downfall. Aeor made their choice - many, many choices. The gods made theirs. Ludinus kept making his, over, and over. It's particularly resonant among the women of the campaign. Obviously there's Fearne, and I've covered Imogen and Laudna, but going over to the Crown Keepers, Morrigan becomes a paladin in a few short weeks - an immense choice. Fy'ra advises others on what they are going to do. And Opal is where she is now because in one moment she put the crown on her head - and in doing so, ceded further choice in the long run. The deities of both fate and free will in this world are given considerable presence in this story, and both use female pronouns.

Maybe I'm making a mountain of a molehill, but I don't think I am. I really do think people cling to "girlfailure" and act like we're just being meanie haters who don't believe Imogen is good because she can be the central character who has power to change the world and the narrative; or she can be pure and innocent of all wrongdoing. she cannot be both. No one can. And deep down I think the "girlfailure" proponents prefer a useless innocent girl to a powerful woman who sometimes makes choices or does things that hurt other people. So I don't think that one's just harmless meme-ing, and if you want to see Imogen as an exceptionally important part of this narrative I think you have to reject the girlfailure, and anyone saying "oh it's just a joke" is either unthinkingly repeating or is pushing a story where Imogen is just a MacGuffin without agency, and neither is worth, in my opinion, listening to. Someone "stripped of choice" in real life is worth our pity and deserves our assistance but they make for a pretty terrible fantasy protagonist, and it's maddening to see a woman in the center of the story and then to be attacked if you want her to be treated like a person who, as a result of being a key protagonist, holds particular power and isn't just a girlfailure.

[valenshawke]

In Defense of Caitlyn Kiramman

No, this is not a defense of any of her actions or decisions she made after she donned the beret. This is a defense of the writing of her character and what (I believe) the writers are trying to do. With only one act down, there’s many ways the writers can take this. They could very well fumble it. However, I will give the writers the benefit of the doubt. With that out of the way…

The descent into darkness and the corruption arcs are classic storytelling. Where the protagonist, hit with so many traumas and setbacks, gives into her darker feelings, sometimes aided by a more devious figure in the background.

Given all the traumas that Caitlyn has experienced as explained by @bramblebeau, something was going to happen. Without Ambessa Medarda being that devious figure, would Caitlyn have gone full authoritarian at the end of episode 3? Maybe. I still think she would have, but perhaps not as far. But to argue that this is bad storytelling because Caitlyn did not keep her idealism and morality is… horrible missing the point. 

What are the points? When faced with trauma and the desire to retaliate and seek revenge, it is very easy to manipulate those who want those two things. And, in the world we actually live in, we have seen this time and again. Need I bring up the US War on Terror? Whether directly or indirectly, the cultural impact of the 9/11 Attacks, second Iraq War, and the US War on Terror has been and will continue to do so (and if you want a less subtle commentary on that, check out Naoki Urasawa’s Pluto also on Netflix). 

Ambessa Medarda not only manipulating Caitlyn, but the Piltover Elite, was masterful because it showed how easy it is when you can control the flow of information, control the rhetoric, and eventually dehumanize your “enemy” as something less than human. It’ll be fascinating to hear how Caitlyn’s speech changes and what type of language she uses when talking about Zaun.

At this point, we don’t know exactly what the writers are going to do. But it does raise some intriguing and exciting questions from a storytelling perspective. Caitlyn, right now, is at the edge of (the heart) of darkness. Is her blood-lust for revenge going to cause her to fall in? Will someone be able to talk sense into her? Can anyone in Piltover talk any sense into her? How, if at all, can Vi be the one to help/save her? Or will they save each other? How can Vi be that tiny light in the darkness when she has her own trauma to deal with? (There’s another point to examine how both dealt with the trauma by the end of Act 1. Vi went inward and, based on the trailers, went full self-destructive mode. Caitllyn went outward and became the public face of a fascist regime). 

Caitlyn already started taking steps to that darkness after she got the Kiramman key and decided that GASSING ZAUN (and all the implications THAT brings)  was the best option for her strike team to open its mission to capture Jinx, dismantle shimmer, neutralize any agents loyal to Silco. Whatever justification given, especially by Vi, is naive at best and delusional at worst. Vi might have gone along simply because she feels some blame and wants to support Caitlyn. But what Caitlyn did was unjustifiable. The moment you simply accept “collateral damage” as simply being a Tuesday, your moral dipstick is bone dry (credits to Fox Mulder for that one). But that isn’t bad storytelling. I’m supposed to feel that way.

Caitlyn’s descent, as it stands, allows the writer to either give her something of a redemption arc where she realizes the horrors of what she has done and what has to be done to fix it. 

This is classic storytelling 101.

And I am fucking here for it.

Thanks to @caitlyn-kirammans for listening to me ramble this out first.

[smallishzine]

Just a small heads up, if you include shipping you may wanna make it clear that there are ships and what ships are there. A lot of people aren’t comfortable with shipping, especially since I’ve seen people say Joel thinks it’s a bit weird to be shipped with anyone other than Lizzie (needs to be fact checked, this is just what I’m seeing in boat boys comment sections). Maybe consider making the ship stuff a separate section or just telling people in advance (pinned post, bio, anywhere clear works) that it includes shipping so those who don’t like it can walk away.

important info about the zine plz read even if you didn’t send the ask:

thank you for the heads up! We’re about to get super rambly and vaguely off topic but we promise all your points get addressed. This is actually a great opportunity to clarify, because I realized I didn’t explain myself particularly clearly, if some one does choose to include shipping, its all going to have to be subtext (as always except for shadowbeans whose alternate ship name I still refuse to use), but that is for non-canon ships. Regardless of how people feel about it, c!Joel and c!Jimmy did in fact kiss in Real Life smp, and c!Joel and c!Sausage did in fact have a child together in esmp2, so we’re not gonna rewrite events. Basically when I say shipping in the context of this zine I mean taking relationships the c!Joel had with other people and creating moments that didn’t necessarily happen but feel plausible for the characters that are able to be interpreted as romantic as well as platonic. Also, everyone’s definition of ship art is different, so the level that I was thinking is pretty mild (and btw I’d like to interject here that this is not me dissing on shipping or ship art love shipping so much that I found a ship called the relation and I never left it, but I also know that people have all sorts of comfort levels with different things so this zine is going to be dry docked but I assure you that out there on my super secret personal blog we are very much lost at sea). Like, to give some examples of what would be okay versus not okay for the zine: kissing is pretty much off limits, honestly mostly because that’s a pretty boring zine piece, there’s nothing going on except the ship, but anything where any sort of romance is up to the interpretation, such as hugging, handholding, spending time with, these are all normal things, but also this can’t be the focus of the piece. Please no one just draw like Joel and someone hugging and call it a day. Implied shipping is allowed to feature in your piece, not be the main focus of it. That’s just not an interesting zine piece. Valid art/writing, still amazing stuff keep sharing it on the internet it’s very interesting, just not in the context of this zine. Anyway, you are correct about not everyone being comfortable with that stuff, so if any piece comes off as really shippy without violating the guidelines we’ll make sure to label it correctly, but also, I should make it clear, I’m really hoping that shipping doesn’t become the focus of this zine. It is a Joel zine, so Joel should remain the focus, and any shipping would be subtextual and not central to the zine. There are many great Joel ships out there with lovely content to consume, but that’s not really the focus of this zine. Also, that aside, if Joel doesn’t want his character (because we are talking about shipping cs here. Cc!Joel is a lovely person, but this zine is going to be in-character. Also while cc!Joel should absolutely be respected in what sort of fan content he wants people making about him, his character is, well, just that: a character. Its like saying you can’t ship two characters from an animated tv show because their irl voice actors aren’t comfortable being shipped. It’s just two different things) shipped with characters who don’t belong to his wife, he should probably stop making his c! kiss all those men. And have children with them. And send them love hearts in the mail. And call them babe. If he did it in canon it’s probably safe to say we’re good having them do it in fan content. But again shipping should be an extremely small part of the zine if it’s there at all and should be subtextual enough that even people who don’t ship can still positively engage with the zine!!! If it needs a warning, it’s probably too shippy.

also all this aside if I’m handling this wrong guys I’m sorry I’m only one person and it’s really stressful trying to please everybody I promise I’m trying my best but I just wanna get together with a bunch of other people who share this strange fascination with the bean man and make art and writing about it I don’t wanna get canceled or something I promise I’m trying my best. I’m really struggling to balance my love of creating shipping fan content and realizing that not everyone is comfortable with that and it’s really difficult and stressful I just can’t we all just draw and write what makes us happy I just want this to be a fun experience and being yelled at on the internet for drawing two characters who’s ccs aren’t in an irl relationship being something other than friends is not my definition of a good time. I’m not accusing you anon of doing anything like that the ask was very respectful but I’m worried this post will prompt less polite people to come and yell at me.

-mod Dinn

[lucyskywalker]

I’m actually very curious to know why you don’t like jonsa! my reasons for example are: their fandom is acting way too insane for a ship that never happened and won’t ever happen; kit harington is unfortunately ugly. what are yours?

There are so many reasons that I dont even know how to begin with.

Alright. Let's go.

1st reason: It is only solely based on the show, and I really mean that. When you get to read metas and posts surrounding the ship, u realize these people never opened the books, while traying to pretend they did. I'm not being entitled. It is just obvious with what they write. Everything is taken out of contest. Especially surrounding Jon's pov and his lack of relationship with Sansa.

+ I despise the show. The only good thing about D&D's creations were the Dragons CGI and the dothraki and valyrian language, and it ends there. Out of it, everything sucks. They have rewrote all the female character in such a sexist and ridiculous way that I can't even start explaining for you.

2nd. I ship jonrya. Ik it is not everyone's cup of tea, but I do. And no. Idc if they become canon or not. I like the concept. I love their relationship. And I love what they can become. Now why the fact I ship Jonrya actually matters? Well, specially after season 7, a lot of Jonsa fans started taking things from Jon PIV that were about his love for Arya, and make it be about Sansa, with ridiculous excuses for their takes. The most commun and easy example being "What do you know of my heart, priestess? What do you know of my sister?" When Jon asks Melissandre, he is referring to Arya. And no. It is not a different interpretation. It is about Arya he is talking about. Another one was "Would you bed your sister?" And Again Jon thinks about Arya, but when you read Jonsa's metas; they say he is thinking about Sansa. Another common Jonsa take is that Jon died for his men in the books, or for Sansa, when again, this is not the case. He died for Arya. And that is explicit on the text with no room for other interpretation. No wonder why the last thing he tought was about her.

Jonsas straigh up lie about what happens in the books to support their takes, or they just read metas here on tumblr and believe it. Idk and neither do I wish to know.

Not only that. They started behaving as they had a moral high ground over jonerys and jonryas... when they don't, it is still incestuos and still problematic to modern standards - not only that, they behave entitled to this day, and attack Jonrya shippers and Jonerys shippers in a real coward way.

Many, many times, I received anon hate telling me to *kms*, slit my wrists. Someone even wished for me to get raped over a fictional ship.

My disdain over the ship is not only with the ship itself, hence taking a lot of Jon's dynamic and bound with Arya to give it to Sansa, which is really important in both of their stories and arc, but mostly about the fandom, and how I was affected by it. If it was treated only like a crackship (what book wise, actually is), as my beloved hitsukarin from bleach, I would have no problem with it.

But the community is far one of the most toxic ones I have ever seen or been in contact with. Actually, dealing with them heavily impacted my mental health.

3rd. I really didnt like Sansa way before dealing with the fandom. Since my favorite is Arya, the way Sansa treated her never vibed with me. (And no. It isn't normal sibling behavior. I am an older sister. I would never do half of the things Sansa have done, not even on 11). After book 1, I felt pity for her, but she still was the last interesting character for me, even if her Vale story was.... I guess, more berable.

After getting into the fandom, tho, Jonsas and Stansas ruined Sansa for me in every possible way as well to the point I read her chapters and I won't feel any kind of enjoyment in her journey or her character. She is my least liked character, not because "she is the most horrible person in the books" (she is not. She is far from being that. ) but because her fans made me feel terribly bitter about her. It is not logical or fair, but again, I'm not trying to be.

[liauditore]

what’s your thoughts on ouran? you mentioned you had a love / hate relationship with it and i think that would be interesting to hear

Oh god post that usually would be reserved for my sideblog incoming. Heads up this one might get uncomfortable, heed the tags. LONG POST.

TL;DR: it's a fun show that's neck deep in the misogyny sauce

I had the true ouran experience of watching it when I was 12 and thinking it was really funny but ultimately finished the show feeling mildly disappointed as well as being Very put off by one specific episode.

As a 12 year old I didn't really have the words to explain why but over the years I thought back to ouran again and again and the more I thought about it the more. Angry isn't really the right emotion I guess. Eyebrow raised emoji-y is more accurate.

Now that I am a bit older and wiser and have read more shoujo, I think the majority of the annoyance and confusion I felt towards ouran, especially nearing the end of the show, came from the fact that it pretty much bait-and-switches its own stance on gender roles, classism and judging by appearance. Please note that I have not rewatched ouran in many years so take all this with a grain of salt and forgive me for anything I'm straight up misremembering.

Haruhi, to me, embodies a very quintessential shoujo protagonist archetype. She's not necessarily radicalized against gender roles, but doesn't place the same importance in gendered performance as her peers. She's also viciously ambitious and doesn't downplay her own intelligence, qualities that her female peers around her have been conditioned to avoid in their cartoonishly extreme upper class upbringings.

However, the other girls' education being a direct result of their education is never really examined. All the other girls at ouran are presented as vapid and "boy-crazy" over the host club. Renge, the only major female character aside from Haruhi herself, is delegated to being comedic relief (and of course, the humour surrounding her almost always has to do with her obsession with Kyoya) with some not so subtle implications that Haruhi is above her girlish antics because Haruhi is... Better, to put it bluntly, in every way including her ability to appeal to men, which can be seen through Kyoya's neutral to distasteful opinion of Renge vs his somewhat unsubtle care and attraction towards Haruhi.

This very unflattering depiction of women other than Haruhi extends to the very queer-coded* Lobelia academy girls, who the host club spends an episode "rescuing" Haruhi from and, once again despite their group leader's more masculine look, reacts in shock and horror at their feminine interests. Eugh, makeup! Disgusting!

*pressing the "nuance" button on this one because we can't expect to apply our understanding of queer signalling on a Japanese highschooler, but the Lobelia girls are. Fairly blatant enough I feel that I almost don't even want to call it coding.

The girls in the show who aren't Haruhi are either boy-crazy and therefore stupid, side characters whose episodes are often tied to getting with a male love interest (who is always depicted as "plain" compared to the desirable men of the host club), rivals in love against Haruhi (like Eclair) or silly evil lesbians.

Speaking of the silly evil lesbians, I do think it's interesting how many times the show feels the need to restate Haruhi's heterosexuality through her endless amounts of blatant disinterest in her fangirls. I briefly wrote once on how patriarchal standards have an amount of gender-nonconformity that can be accepted with women, but violently withdraws that acceptance when it can be even slightly confused with signalling queerness. Every second boomer dad wants a tomboy daughter, yet none of them seem to want trans sons. Idk, food for thought.

It's also fascinating to me that Utena is so much older than Ouran, yet almost feels like a direct response to Ouran's pitfalls at times e.g. the "not like other girls" logic of Ouran's world that pits women against eachother. The only women deserving of sympathy are those who don't act as a "threat" to Haruhi's desireability, everyone else is stupid and beneath her or an evil bitch.

The one woman who is always shown as intelligent and worthy of respect outside of Haruhi herself is Haruhi's deceased mother. Interesting that she had to be dead and more of a concept and motivator for Haruhi instead of.. a character.

If the show was just a marina and the diamonds girls simulator that would be one thing but what I find even more insidious is that not only does it not respect its female cast, Haruhi herself is almost. Instructed? In the show to uphold patriarchal rhetoric, when she entered as a neutral force. With the fact that she acts as the audience stand-in, I find this just the smallest bit troubling.

ESPECIALLY. when talking about the specific episode that really gave me the "I don't like this alot but I can't describe why" feelings when I was 12. Everything else in the show I can look past but this episode genuinely pissed me the fuck off when I was 12 and pisses me off even more now.

I'm talking of course about the "better remember your place in society or men will rape you!!"

In episode 8, the host club visits the beach but instead of the fun beach episode I thought was coming up, 12 year old me was hit was Haruhi being scolded by Tamaki for trying to defend a group of girls from ruffians, simply because she is a girl. Haruhi obviously gets mad.

This in of itself is fine, Tamaki's been shown to be an idiot and very deep in the misogyny/classism sauce, and the way this show mocks that is why I really like him.

But Tamaki is supposed to be IN THE RIGHT this episode, as later Kyoya pretends that he's going to rape Haruhi to teach her a lesson about why women shouldn't confront men I guess. Which, of course, implies quite a lot of very strange things in a show made for young girls, including that if you just abide by gender expectations that are Good and Keep You Safe you... won't be raped? Haruhi even thanks Kyoya for PRETENDING HE WAS GOING TO RAPE HER ?

It's this. Very strange and hypocritical moment for this show and really, really soured Kyoya's character for me -- which is a shame cus I do think he's one of the most interesting club members. I'll never not fume about this episode man I literally got into fights with friends over this episode being garbage as a kid and it was one of the smartest opinions I had at that age.

It's also gross to me that this whole thing revolved around, in the first place, Haruhi trying to defend other girls. In a show that keeps isolating Haruhi from them. So to recap 1. DO NOT seek out relationships with other women, they are vapid and won't understand you, certainly not more than the men in your life and 2. If you defend other women (from men), you're being stupid. Get a man to handle it instead, because it's men's duty to defend women, not yours. and if you violate this natural order you deserve to get raped. Hashtag some gender roles are good, actually.

I also have more thoughts on the way it's presented as if being raped as a woman is the worst thing imagineable but Renge's stalker tendencies towards Kyoya are played up for laughs. Shrugs.

The episode even ends with Haruhi saying she wasn't afraid because she knew Kyoya wasn't going to do it, but then ending up in a curled up helpless ball anyway because of. some thunder. really awesome. While I don't have any problem with exploring Haruhi's vulnerability, we never see any of the boys in such a state, reinforcing that this isn't about dropping the facade of unemotional masculinity but Haruhi being... a girl. Barf.

Even completely disregarding that episode, the messaging is. Strange to say the least. I do think this one might be the thing that gets me shot because Tamaki Does come around to appreciating Haruhi as a person and not simply a "woman", but the fact remains that she still acts as a "love interest" from beginning to end. And the whole dynamic of. Haruhi going from completely disinterested to fond of Tamaki over time, and Tamaki learning to abandon his playboy ways and see Haruhi as a person is totally fine and okay. BUT it is a little bit. Oh so NOW you want to talk about seeing women as people.

I feel that I've been. very focused on the hate part of the love hate and I'll be real nowadays that is very much the dominant half. I still like the show just for nostalgia value, the humour, as well as the host club members themselves. Morii and Honey specifically have a really awesome dynamic and I wish we got to see Honey go berserker more but it is what it is. Kyoya, rapey moment aside, is also really fun and maybe one of those characters that made me realise what kind of tropes I like. I will not stand a word of Hikaru and Kaoru slander, those boys are awesome and their incestuous club personas are a great parody of how performative the club really is, and through that how performative society as a whole is when dealing with attraction as a concept. And I actually really like the side characters too, the emo catboy and Renge in particular.

But I'd be lying if I said it wasn't perhaps one of the most anti-feminist bait and switches I'd ever seen in my life.

Haruhi's not even gender-nonconforming!! She's just a normie with a normal amount of care put into gendered presentation but because she's in the psychopath rich people school she SEEMS gender-nonconforming!! Which is fine as I've said before I think a lot of shoujo protagonists are like Haruhi in that their gender is more "I just work here" at best and something used to oppress them at worst, but Haruhi goes out of her way to present more feminine the moment she leaves the school gates.

Big words for this show to come out swinging saying gender roles and expectations attached to them are dumb when its so terrified of actually tackling them. I don't require everything I watch to be queer queer gay gay homosexual transgender beam attack but like?? Why have Haruhi say she dgaf and then have her present feminine anyway? Especially when it's been highlighted to us that her family is dirt poor, yet she still has the money for hair extensions? You're telling me she decided to cut ALL OF HER HAIR OFF FOR A TINY PIECE OF GUM. for no reason at all when she could've easily just cut it into a bob??

FTR I do still like Haruhi which is what makes this all the more frustrating, especially since she's one of the few female anime characters who we're told is supposed to be masc-presenting and actually could pass as that. Mf questioned the system of gender and then proceeded to do fuckall with it. Gets forced into crossdressing but underlines it with "but im not a lesbian" the whole way through. What cowardice. What theory and no practice. What bark but no bite. What a non-theme. Haruhi is the opposite of punk. Centrist ass take of an anime.

Ahem. Biases aside. I just feel like it fails as a romance, fails saying anything substantial about gender or class and ultimately ends up being meaningless fluff at best and pro-rapist and anti-woman at worst.

[lavenderjewels]

can’t explain

[piko-power]

My Personal Headcanon On Why Amy's Love For Sonic Died Down Lately (and their dynamic)

When they were younger, Amy's love for Sonic was pretty extreme, and Sonic was, understandable, uncomfortable for the most part. He knows she means well, but that girl needs to calm down.

She can fight, but sometimes her hammer could only stun her enemies for a while. (It took her a long time to get rid of that robot that has been chasing her around Station Square.) She wasn't fully independent yet, even if she fought on her own a couple of times.

She often follows Sonic and his friends around. She is part of the team, but she was not a strong as she is now at the time yet.

She admires Sonic. A LOT. And Sonic knows that. Obviously, he could only run away from something like that, since he is NOT ready for that kind of thing, and whether Amy takes the hint or stop, she still loves him.

...BUT, I think things were slightly starting to change between her and Sonic after Lost World.

Remember this line?

You remember that? Okay, okay. Here's another totally unrelated question:

Before the events of Lost World, when was the last time Amy said "I love you" to Sonic out loud?

...YEP. 😈 (Unless I'm missing something, let me know lmao)

As more games and adventures come out, the characters get slightly older, and Amy is 12 to 13 now, and she is most certainly at that age where her body starts to change, but especially on how she views Sonic.

She knows she loves Sonic, but it was this moment during her change where she actually wanted to admit that she loves him.

I believe that Amy was all about sharing her affection to him not through confessions, but through obvious hints. Sonic totally got it, and there was no need to confess. Sonic knows she loves her.

...But she never said it. And she almost did, but she never did again for a while.

I think this was the moment in her life where, oh, God, she actually loves Sonic. SHE LOVES HIM, WHAT.

And she was looking back at all the times she had with Sonic that she can now see were unpleasant to Sonic (At least that's what she thinks) and that's probably why she isn't so expressive about her love to him than how she used to back then.

She wasn't sure what to do with this realization, and sets aside it for a while, and nearly stayed as her casual, peppy self... until the Eggman War happened.

During the 6 months of being with the Resistance, fighting Eggman's army all day and all night, all she can think of was Sonic.

She dreams that he still with not just her, but with her friends. She just wanted to see Sonic again, she just wants to be with her hero again.

But I'd like to think that she was also thinking about how she used to treat Sonic back when they were younger, how Sonic would almost always run away from her whenever she asks him out, or always look so uncomfortable whenever she gets so close to him.

Cringing at those memories big time, she wanted to change and hopefully when Sonic is okay and comes back, she can be better for him.

...Or will he still find her uncomfortable regardless? Would he even be happy to see her at all if he did survive?

But, hold on! She can't just give up her love for Sonic! He made her who she is today! A peppy, nature-loving, hammer-swinging, confident, brave... loud-mouth... annoying... Sonic obsessed... weak... pathetic... lonely little girl.

If she gives up on Sonic, it'll be like she gave up on the one hedgehog who saved her life. If she didn't she'll still be the same ol' Amy.

I also like to think she had parents a long while before she met Sonic, and was even expecting a little sister, but a robot invasion happened from where she was and attacked her parents and instead of trying to save them, after getting hurt, she ran away, hoping that they'll come back okay. But they never did.

She was all alone, and needed someone, a friend, a new family, someone who will hold her hand, anyone, to be there for her. But she was ignored by lots, and at that point, she's better off by herself, but still longed for company.

Eventually though, her tarot cards told her her future hero, and there might be hope after all. She encountered Sonic, held onto the belief of the cards tight, and the rest is history.

So, with that headcanon in mind, not only did Amy loose her parents that she didn't save because of her cowardliness (she was only so little at the time that happened) and also Sonic, who she thought will be her only hope, but now gone.

She doesn't even care if he did come back, he'd probably hate her now after everything she did to him, always talking about their "future wedding" or forcing him to go to Twinkle Park.

For the last few months of the war, it was nothing but Amy mentally beating herself up for either refusing to change or moving on, and they are both not fine choices.

She loves Sonic, but he does not love her, and she finally, finally realized it. And it's probably for the best if no body loved her at all.

But of course Sonic did survive and all of her worries wash away in an instant, she's just not expressive about her love for Sonic AT ALL now, since she's still worried about it but rather not mention it to Sonic because it doesn't matter.

If Sonic doesn't love her, then her feelings don't matter to him, and according to Amy herself, that is okay.

But also, I'd like to think that Sonic was thinking about his friends a lot up in the Death Egg for the past months, sometimes it's Tails (worried for his safety), sometimes it's Shadow (because he's wondering why he would join Eggman.) At some point, for a few days, Amy was in his mind the longest, and he felt bad about how he thought he was rude and pushy to her.

He wondered if she's not thinking about it too much, and if she is, will she give up on him? Yeah, he doesn't feel the same and still not looking for a relationship, but it's so strange but interesting how anyone could ever like someone like Sonic the Hedgehog. Amy was never afraid to show that, and she probably might be now.

He couldn't help but feel guilty. They were kids when she was like this, but he was so... arrogant at the time too. Not a lot happened at the time yet. He'd always have trouble expressing how much he value his friends, until he shattered the Paradox Prism. (I'd like to think Prime took place before Forces. It makes sense.)

She is such a sweet girl, and he probably made her believe that he didn't care for her. Just because he doesn't feel the same, that doesn't mean he hates her at all.

He wished he never ran away from Amy... Worrying for his little bro and wishing to be a good person for Amy was when Sonic cried in the Death Egg for the first and only time.

Frontiers, in my opinion, is kind of confirming their dynamic now. Sonic is a lot more sincere and kinder to Amy and she is not all hyperactive and lovey to Sonic. There is probably a real reason for this now.

They are both hiding their feelings from them, and they are both unaware of this. Amy, hiding her mental issues from Sonic, and Sonic, hiding his guilt away from Amy.

None of those things are important now. Sonic is with Amy and Amy is with Sonic. They are here with each other. They can be finally be better for each other now.

They don't care if they'll ever be something more when they get older. None of that matters anymore. They are here with each other. They can be finally be better for each other now.

Maybe someday they'll both talk about it, but for now, the present is important. They care about each other too much to think about it right now.

It's the kind of love that is unbreakable. It doesn't even have to be romantic. It's just love. Love is important for everyone, in any form. It's something Sonic and his friends need. And especially Sonic and Amy.

Amy Rose is the living embodiment of love, and without her, a lot would go downhill for Sonic and co. Heck, if it weren't for her, Shadow wouldn't have never remembered Maria's promise, which lead him to save the world with Sonic, before he temporarily disappeared from their lives for a while.

She is always there to lend a helping hand for anybody, even bad guys like Metal Sonic, and despite what she had been through, both in Forces and headcanon wise, she still fights back, even without her hammer.

She will pick you back up on your feet, reminding you that you are important and that you are loved, and that you should never give up. It's pretty much the words of encouragement she herself needed also...

She is still the happy, hyper, butt-kicking hedgehog we all know and love, but she still need someone to pick her back up on her feet after so long. Thankfully, she has her friends and her blue hero. The hero who made her who she is today.

I think Amy has no idea how important she thought she is, but Sonic does. Sonic knows fully well how important she is to a lot of people. It's about time he returns the favor to her. It's his turn to remind her how much a lot of people love her.

How much he loves her.

And I feel like The Murder of Sonic the Hedgehog was the moment where their dynamic really shined, but also the starting point of their relationship not only healing, but also the next chapter of what's to come for them.

Everyone, friends old and new, gathered around for a special birthday. A birthday for the confident, unshakable, and radiant Amy Rose.

It was such a special moment in Amy's life. After years of chasing and following the people she look up to, she is part of the team, but most importantly, she is part of the family.

She is fully realized as someone more than just a fangirl, but someone strong, courageous, creative, kind and a big inspiration for others.

I feel like this moment here...

-is where Amy is eternally grateful to call her friends her family. A family she thought she'll never have again. She's not alone anymore, and as long as they're by her side, she'll never will be again.

Her chasing days are over. She's finally caught up to them. She's finally home.

And it's all thanks to Sonic.

If it weren't for him, she'd probably be alone forever. Her past moments with Sonic might be embarrassing to look back on for a while, but they are good memories regardless, because they involve him.

Sonic saved her life in more ways than one, and despite everything, he's grateful to have her too.

He cares about her. He really does... And in her eyes, that all she needed to know. As long as Sonic loves her in his own way, she'll be happy.

Amy hasn't given up on Sonic. As long as Amy always supports him, he'll be happy.

Maybe sometime in the future, they can talk about their problems, but that's a story for another time. At this point, they need to. Right now, they are happy. They are okay.

They are here for each other. They are finally better for each other now.

"You guys won't ever leave me, right?"

"Wouldn't dream of it."

[sysig]

Moomin. Moomin in Minecraft. please?

Day 16 - Are you new to the valley?

[lulu2992]

This interview with Drew Holmes, now the IP Director of the Far Cry franchise, is two months old and I haven’t talked about it yet, but there are a few things he says that I really like and think (hope) bode well for the future of the series!

Like what he said during the 20th Anniversary livestream, the article confirms they’re aware many fans love the villains, but what’s even more interesting is that it suggests they know some people would like to have the possibility to side with the antagonists. This has never been an option (except in New Dawn, sort of) but we know it’s an idea they’ve been considering at least since Far Cry 4. When I read,

“Some players may see that the villains are going too far, but also see their point, and think: ‘If I work with them, I can make them see the error of their ways and change them.’”

or,

In continuing to fight the antagonist, all the woes of the world are not resolved; and in joining them, society does not collapse. “Defeating the bad guy may seem like the thing that you should’ve done,” he continues, “but what are the things that you’ve done along the way to get here? And if you joined the bad guy, is there a glimmer of hope? What happened to the people you met along the way?”

it makes me think they might seriously consider finally letting us join the villain(s) in a future game. As he implies, making such a choice would surely have big repercussions on the story and characters, but it’s part of the reason I would love to have this possibility. I’ve never seen that in any other game I’ve played, and I think it would be a bold and interesting decision if it became an option.

I like this as well:

Drew mentions that [Far Cry 3] holds a mirror to the player and asks: “Look at the things you’ve done. What do your actions say about what you value?” 

It’s pretty much what Jeffrey Yohalem (Lead Writer) and Dan Hay (Executive Producer and basically Drew Holmes’ predecessor as head of the brand) said about Far Cry 3 at the time (for example here), so seeing that they’re all on the same page is great. Of course, you’d expect an IP Director to have a good knowledge and understanding of the franchise, but since I’ve already seen Far Cry 3 devs completely contradict each other in interviews, that wasn’t guaranteed… At least, and even though he wasn’t even working at Ubisoft when the game was released, I’m glad he knows what he’s talking about!

I also really like the parts about how Far Cry games are supposed to make players feel uneasy or are really about how far someone (protagonist or antagonist) is willing to go for what they consider right because what seems “moral” can change depending on the situation we’re in, and everyone, in very specific and extreme circumstances, can potentially “become the jungle” that initially looked so scary and foreign to them.

Usually, in Far Cry, the characters’ motivations are clear, and even if we rarely agree with what they do, we can almost always understand why they do it and even have sympathy for them. As he concludes:

“When we help each other, what is the reason behind it? When we hurt each other, what is the reason behind it?”

These questions have implicitly been asked many times in the series, but no clear answer has been provided because, as the interview explains, Far Cry games are supposed to “evoke feelings and make space for introspection”. In the end, only we, players, by experiencing the stories and meeting the characters, can find out who we truly are.

In my opinion, it appears the franchise is in good hands, and for now, I have hope for the future :)

[swiftfootedachilles]

im just gonna be honest gang obviously its gonna be easy for you to say youre in love with a character and theyre an angel when anytime they do something you don't like you brush it off as out of character

[ayyponine]

not to be a milennial but harry potter and the prisoner of azkaban really is that bitch....

[sskk-manifesto]

Ep 5!!!

[sonknuxadow]

they werent lying that knuckles series barely has knuckles in it

[simcardiac-arrested]

as a russian who doesn't talk to russian people online what the shit is happening there hello

look man i myself have put in the effort to Not talk to online russians for like (checks hand) 7 or so years (of course i’ve met some really great ones but this isn’t about them and they probably know it) but i’m sure the community didn’t change much. actually from the glimpses i see it seems to have gotten worse. don’t even get me startedddddd man

[fslurusami]

you know how sometimes theres some popular character and most of the fanstuff is mostly accurate on the surface but you personally have some lived experience shared w this character that enables you to have a deeper understanding of little nuances under the hood that inform things like their decision making and stuff. its on a sliding scale of accuracy of course. personally i mostly get this with my mental disorders with characters such as ogata but sometimes theres LITTLE TINY THINGS that bother me about specifically the various violence related fetishes. and the fact that it bothers me itself bothers me cuz i feel like. "oh Clearly you havent received or inflicted wounds for sexual pleasure". yes obviously they havent done that. nobody else does that. i am abnormal in nature and insane in the head

[buckleydiazmp4]

wow i just saw. a Take